1 10 12 https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/90e7bd541dfb689fe805026fc50eaa03.jpg?Expires=1782345600&Signature=HElIk%7E5PNPbLw84UWUHuCsUFm1ThtRtPj-Qt817YF3U%7ErUxCkLJStGvm2voFUpoNxNJJz5comoaJEWLbcRHP7V5n3pXuh9-DfxITdbz5Gc99SPlDnU0iuGwlYeYZ8a9GMHuHTAD9sEt6vuHPbq1q-t4FKmx0VgdKTxM%7EDOHgPRMpJTMdbMsGRG8ztpMExnXhN6kBzIspLjwhQFm5TP4WoGjDWLWIUlCcv6upOi3HZ6vxq8YliFIXHKsr-cEVvuFERyS6brbf09jfWqCDsPzLQS4Yki8YM9XOhaXcWMzYs-sF9PYaahn0aAAoTZ7NeshaaCUrVusH63zlHPPLA%7ElpYg__&Key-Pair-Id=K6UGZS9ZTDSZM 469a3e61d776d11972544d6a22d83073 https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/bc75785c47c8b8d03c7499ca2c853cf7.jpg?Expires=1782345600&Signature=dXuq-WaEAiu3r6ZTeSLxoJ9AE7E5D8Yx644d0C2oSumDEwsMdLpwTBb7ji8iUcpbnUQVzBsCSwmTQINFMJbhIKFBL21AyQJBl-8k1F6r-4d5sVH86NuXSFqDU0t%7ET-I-6LqpAVBtvMkTqlnDB%7EzasFxi6PVoQA1pEQQE2nXLdwH0I7uJg0A4oQhkJv3XVqJGyIwCX3KjsU9%7EvBnetCLjDnC0%7EzOYHRmTS7qwebdMWuo0Dh97myzCB8v5zYnJWNwAfCeMwb9E339kEkCmT2DrPLZDE%7E1h3BNb3fa16yK1RxOV0%7E4sjLjkwNGHQmWWEkjS695Bwh7kFMeZuxjdW0dySQ__&Key-Pair-Id=K6UGZS9ZTDSZM d74bc82ce3db33cd3b7115832bc38f39 https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/3f805ed4245de9bbc160c6fd1a7f8a82.jpg?Expires=1782345600&Signature=GallpxKTbDuCBJtsxULA122ACAtTSh9FU2h44I8KFK6VpY1D%7EPlvb4Xn7FCUJd2MUZdpajhvpenRURwACOB50DCeXYH9zpZtb-WDmgjmsrx6cnfnBPqiZezbVxaUCUEqJRamC2TQifpX8xoiVwQ33WrJZRtH3nQRqJ2vBFhEIaTJq3h9FO1Q85U1AotSrI%7Ek9aS8N8As9dhQREEQPp%7EJo-LYIf9NhHRLoYIDTnlMUXku65GNW5SA5UE96R6CQvjYE4eukriHKKjFQpxEU4jYDCwUwlC-TOJLdSt8mVwbw4bHmov3SpYbr431%7Ef43Rilp0yMR239vXQw5jP6pD459LQ__&Key-Pair-Id=K6UGZS9ZTDSZM a026bd8f6776a3c29e007f50d53a1d47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts/Humanities/Social Sciences Description An account of the resource The broad collection of "Arts/Humanities/Social Sciences" highlights those women who dared in the areas of the arts (visual and performing), the humanities (philosophy, law, history, literature, religion, languages, communication), and the social sciences ( anthropology, archaeology, sociology, economics, psychology, political science). It also includes female intellectuals who were excluded from formal methods of education, but who advanced our collective knowledge of the aforementioned fields. Each of the fields represented started off as a male-dominated field. Although women have integrated all of these areas, they are still not representative in many such as religion, political science, law, economics, psychology, archaeology, history, and so on. This collection hopes to expand the readers' knowledge of women in these subjects and encourage their further study by women. Person An individual, biographical data, birth and death, etc. Birth Date 1864 Birthplace Cochran's Mills, Pennsylvania, USA Death Date 1922 Occupation Journalist, industrialist Biographical Text Nellie Bly was the penname of Elizabeth Jane Cochrane. As a teenager, Cochrane wrote a letter to the editor of the local Pittsburgh paper to refute a misogynistic article that the paper had printed. The editor was impressed with her writing and offered her a job. Her first story focused on the plight of working women. Eventually, Joseph Pulitzer of the New York World newspaper heard of her writing and offered her a position at this paper. Cochrane faked insanity in front of a judge and went undercover to expose the real story of how patients at asylums were treated. Her investigate journalistic style was original for the time. After Jules Verne published Around the World in 80 Days, Cochrane left on a trip and did it in 72—just to prove that it could be done. She investigated prison conditions and her writing was a boon to social reformers. After marriage in 1895, she left writing for some time. It was thought unseemly for married women of a certain status to work outside the home. Her husband died in 1904 and Cochrane became one of the leading female industrialists of the time. She went back to writing and covered the Woman Suffrage Parade of 1913. She then reported from the Eastern European front in World War I. She died in 1922. "I always had a desire to know asylum life more thoroughly-a desire to be convinced that the most helpless of God's creatures, the insane, were cared for kindly and properly."--Nellie Bly "People of the world can never imagine the length of days to those in asylums. They seemed neverending, and we welcomed any event that might give us something to think about as well as talk of." --Nellie Bly Ten Days in a Mad-House by Nellie Bly: <a href="http://digital.library.upenn.edu/women/bly/madhouse/madhouse.html">http://digital.library.upenn.edu/women/bly/madhouse/madhouse.html </a> Bibliography Kroeger, Brooke. Nellie Bly: Daredevil, Reporter, Feminist. (New York: Times Books, 1994). Nellie Bly--a Resource Website: <a href="http://www.nellieblyonline.com/">http://www.nellieblyonline.com/</a> National Women's History Museum: <a href="http://www.nwhm.org/online-exhibits/youngandbrave/bly.html">http://www.nwhm.org/online-exhibits/youngandbrave/bly.html </a>Biography.com website on Nellie Bly: <a title="Biography.com website on Nellie Bly" href="http://www.biography.com/people/nellie-bly-9216680#synopsis">http://www.biography.com/people/nellie-bly-9216680#synopsis</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elizabeth Jane Cochrane "Nellie Bly" Subject The topic of the resource Journalism Description An account of the resource Investigative report who revolutionized journalism Creator An entity primarily responsible for making the resource Amy French Source A related resource from which the described resource is derived Image: H.J. Myers, Library of Congress feminism investigate reporting journalism New York World https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/0d064537d09d97d9a516044fff91a953.png?Expires=1782345600&Signature=eQ3BA7IXu%7Ec2V2C6736fFKujijcwyuC4IQtYSzUjzrn6YEwPQEzjDcb0C%7Evi84HIKoAsshid%7EZNrp62YGHXznxIk9PJNs1b%7E9iGY97NJz3rq8Fas%7EnS-C9B292phlPpjS67rQ3BjKchb0ZRHzVLYRHttg8UQv1TNHvdUPd3mKv48x04OmpJD-K6F8Z4Ok5l9UuUDww3Y9qxp7jdFRC9vTXLJY8FZjX33ofU4DPXdRBE7LqYq6%7ELW-wcwrnQNIciMFo9yOYgsXgMw3xqLAfh96rQkfnwoa2ihvFYC0fjrZXgDUbMXpp7bDkuSHWMONul%7EhqMFKryISrRZwilNwjmtcA__&Key-Pair-Id=K6UGZS9ZTDSZM 49cca2752c5ce84b0a4913331b8377f8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Height 303 Width 216 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts/Humanities/Social Sciences Description An account of the resource The broad collection of "Arts/Humanities/Social Sciences" highlights those women who dared in the areas of the arts (visual and performing), the humanities (philosophy, law, history, literature, religion, languages, communication), and the social sciences ( anthropology, archaeology, sociology, economics, psychology, political science). It also includes female intellectuals who were excluded from formal methods of education, but who advanced our collective knowledge of the aforementioned fields. Each of the fields represented started off as a male-dominated field. Although women have integrated all of these areas, they are still not representative in many such as religion, political science, law, economics, psychology, archaeology, history, and so on. This collection hopes to expand the readers' knowledge of women in these subjects and encourage their further study by women. Person An individual, biographical data, birth and death, etc. Birth Date 1831 Birthplace Manchester, Vermont, USA Death Date 1894 Occupation Attorney Biographical Text Bradwell pioneered the legal profession for women. She had been well known in the legal community as the editor of the wildly successful, Chicago Legal News. When she applied to the Illinois bar, she was denied twice. She took her case to the US Supreme Court, where she was also denied 14th amendment rights. After a long legal fight, she finally was able to practice law for two years, before she died of cancer in 1894. She was the first female attorney in Illinois. Bibliography Friedman, Jane. America's First Woman Lawyer: the Biography of Myra Bradwell. (Prometheus Books, 1993). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Myra Bradwell Subject The topic of the resource Law Description An account of the resource Pioneered the legal profession for women in the United States Creator An entity primarily responsible for making the resource Amy French Source A related resource from which the described resource is derived Image: Mosher photo studio, c. 1870; Chicago Historical Society 14th amendment Chicago legal news female attorney https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/d847066b38742bc90ba78be8c48a2917.png?Expires=1782345600&Signature=m15dqhDbjMc%7EWaEQ8w5b5DBR%7ElURcfOH-%7ECbMnJa3DP9tV4fsAOtGTWZ9AczVwuRMA5OapPqy5VfZkNUQxvUEiObvNdrGcubyERvIWu7R-86-e%7EPvDDNlUahae4moe9F-rVb%7Ei7gyscnyId04UjrO8-a2dZWbffj5y0BTItII7p3ZEn2MhPGcjoSilaG-yiOg4w6oJMiGPN-iHkk2LGvGzLu1SWnQ-BLlGa-jBJsYOL5vbH3cfHZDjBPGNGiyPjM4UXwohvH74GMziQvjLShOH1LcbxykAbCXpjyW5MlRLlrMmn04BHKOBieSW3fgIpzdcIho631k7kk63CrGmGdMA__&Key-Pair-Id=K6UGZS9ZTDSZM f605d9e9093a763c53cfc83f874cdfda Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Height 937 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts/Humanities/Social Sciences Description An account of the resource The broad collection of "Arts/Humanities/Social Sciences" highlights those women who dared in the areas of the arts (visual and performing), the humanities (philosophy, law, history, literature, religion, languages, communication), and the social sciences ( anthropology, archaeology, sociology, economics, psychology, political science). It also includes female intellectuals who were excluded from formal methods of education, but who advanced our collective knowledge of the aforementioned fields. Each of the fields represented started off as a male-dominated field. Although women have integrated all of these areas, they are still not representative in many such as religion, political science, law, economics, psychology, archaeology, history, and so on. This collection hopes to expand the readers' knowledge of women in these subjects and encourage their further study by women. Person An individual, biographical data, birth and death, etc. Birth Date 0350 Birthplace Alexandria, Egypt Death Date 0415 Occupation Philosopher and mathematician Biographical Text A Greek philosopher who was also the first woman to be well-documented in the field of mathematics. She was the head of the Platonist School in Alexandria, where she also taught philosophy and astronomy. Her beliefs encouraged logic and mathematical study in place of empirical inquiry, and strongly enforced the need for governing laws in society. She was eventually killed by a mob after she was accused of exacerbating a political conflict in Alexandria. Bibliography Alic, Margaret . Hypatia's Heritage : a history of women in science from antiquity through the nineteenth century. (Boston: Beacon Press, 1986). Dzielska, Maria. Hypatia of Alexandria. (Harvard University Press, 1996). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hypatia Subject The topic of the resource Academia Description An account of the resource Academic in ancient Greece who taught mathematics, philosophy, and astronomy Creator An entity primarily responsible for making the resource Amy French Source A related resource from which the described resource is derived Image: drawn by Jules Maurice Gaspard, public domain mathematics philosophy Plato https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/465746126e8412367bc30f4695ef3ee3.jpg?Expires=1782345600&Signature=Kvo2jhbz5B08oqRs-4%7Ec2Ym6opD6DOH%7EWUTWoKfpCtq4gEK14axMY7sgLlIxU8e9TD4LI10Swleky7qcUxEgqJtOJWxzQReUpigwgsr1GPcjz%7EW1dB9skBBiqqSwyiHBBHRsX7lDJ6Ywxmu-zSPgBbJj8uhbbQAqrxtRGc9WPKGnH8tkLGTXXav2sV3WHrFnhc2O6zOnnTQcnrFghFyXNCv3F1SZhu1hKUuJZUGk1KRv7VuJ-QD8IrzBHOIguYEDbGfZJg-aycvQlIBTvfqIXGjtnmZGjVlZBum1H0mFvxQzjAJFVZhZfTAEQoy19JZ8dw2CoTL1nocLcIWK2iUwFg__&Key-Pair-Id=K6UGZS9ZTDSZM 57e36fbb23e1a291fd351ac6a108f770 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 936 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts/Humanities/Social Sciences Description An account of the resource The broad collection of "Arts/Humanities/Social Sciences" highlights those women who dared in the areas of the arts (visual and performing), the humanities (philosophy, law, history, literature, religion, languages, communication), and the social sciences ( anthropology, archaeology, sociology, economics, psychology, political science). It also includes female intellectuals who were excluded from formal methods of education, but who advanced our collective knowledge of the aforementioned fields. Each of the fields represented started off as a male-dominated field. Although women have integrated all of these areas, they are still not representative in many such as religion, political science, law, economics, psychology, archaeology, history, and so on. This collection hopes to expand the readers' knowledge of women in these subjects and encourage their further study by women. Person An individual, biographical data, birth and death, etc. Birth Date 1098 Birthplace County Palatine of the Rhine, Holy Roman Empire Death Date 1179 Occupation Writer, composer, philosopher, Benedictine abbess Biographical Text Bingen was a medieval abbess, mystic, composer, and author. Hildegard of Bingen began receiving visions at a young age, but kept quiet for fear of how those visions would be interpreted. As an adult, Hildegard became head of her monastic community at Bingen in present-day Germany and began writing music for her nuns to sing as prayer. She wrote a medical treatise for her community as well as recording her visions after receiving encouragement. She became an important cultural figure whose advice was sought after by the movers and shakers of her day. She has been called the Sibyl of the Rhine. Bibliography Baird, Joseph L and Ehrman, Radd K. The Letters of Hildegard of Bingen. (Oxford University Press, 2004). Flanagan, Sabina. Hildegard of Bingen: A Visionary Life. (London: Routledge, 1998). Wilson, Katharina. Medieval Women Writers. (Athens, GA: University of Georgia Press, 1984). The Life and Works of Hildegard von Bingen: <a href="http://www.fordham.edu/halsall/med/hildegarde.asp">http://www.fordham.edu/halsall/med/hildegarde.asp</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hildegard von Bingen Subject The topic of the resource Academia Description An account of the resource Important author of the 12th century who composed music and wrote on medical treatments Creator An entity primarily responsible for making the resource Amy French Source A related resource from which the described resource is derived Image: Wiki Commons abbess composer mystic writer https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/f0c21b982b8b8f5786e6d6462ebdb9c0.jpg?Expires=1782345600&Signature=U8YRimuFJbZX3sR8NFi%7EmAKb68CyoicRQJUyvTFWJWL4xhbSLwgTk724PX6PGHWeD6HBmKZr0MTR98qtJA9S8mb7R1tE6u9U456hgybHvKJyhj3lOCvmU66IwXPVH4pZw5FUqH%7EG1sTbWaNGSKSNfURCw4LKYx2TqKfnD5LmH2yXs1hvjdpRZMpZ-kfbiaDzBBJ0zoFmAl-PNUte4foG91owqJdXbLQDt4xxsREkriYWWIae1ZFxOEqujBS-BTf4ct2L7UHTRCltzJB79oas7XfogErQsvGrjALuiDGudX9xuV7jDq8jZeZNR0cxCwc7zddpdW4c3QQ1Vu8CcdZemg__&Key-Pair-Id=K6UGZS9ZTDSZM 7dd2c719d289bc8ce6ef8eb980fa26bc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 1 Height 361 Width 287 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts/Humanities/Social Sciences Description An account of the resource The broad collection of "Arts/Humanities/Social Sciences" highlights those women who dared in the areas of the arts (visual and performing), the humanities (philosophy, law, history, literature, religion, languages, communication), and the social sciences ( anthropology, archaeology, sociology, economics, psychology, political science). It also includes female intellectuals who were excluded from formal methods of education, but who advanced our collective knowledge of the aforementioned fields. Each of the fields represented started off as a male-dominated field. Although women have integrated all of these areas, they are still not representative in many such as religion, political science, law, economics, psychology, archaeology, history, and so on. This collection hopes to expand the readers' knowledge of women in these subjects and encourage their further study by women. Person An individual, biographical data, birth and death, etc. Birth Date 1811 Birthplace Litchfield, Connecticut, USA Death Date 1896 Occupation Author Biographical Text Harriet Beecher Stowe was an author and noted abolitionist. One of her most influential works, Uncle Tom's Cabin, greatly increased knowledge of the horrors of slavery. The book went on to be the most popular novel of the 19th century. In all, she wrote over 20 books. After the end of slavery in the United States, Stowe campaigned for married women's rights arguing that married women should have ownership of their property (women's property became that of their husbands) and be able to engage in contracts. She noted the inherent unfairness that under the law a married woman had no legal existence. Bibliography Works by Stowe, Project Gutenberg: <a href="http://www.gutenberg.org/browse/authors/s#a115">http://www.gutenberg.org/browse/authors/s#a115</a> Harriet Beecher Stowe Society: <a href="http://www.stowesociety.org/">http://www.stowesociety.org/</a> Hedrick, Joan. Harriet Beecher Stowe: a Life. (Oxford University Press, 1994). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harriet Beecher Stowe Subject The topic of the resource Literature Description An account of the resource Author whose book "Uncle Tom's Cabin" played an influential role in awakening Americans to the horrors of slavery Creator An entity primarily responsible for making the resource Amy French Source A related resource from which the described resource is derived Source: Wiki Commons abolitionism American literature female authors Uncle Tom's Cabin https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/eb95224fdf57979ea1a246311086d008.jpg?Expires=1782345600&Signature=EwYzJkZ5irs%7Enu0WtlMhsPL4mNDrrDt5jOkc%7E1hahrNGZ510TR0KwQL4j4PovW3bxRMCWw3fkpNxR493GPF8lR58B-4LIj7SeZrJFREOYP9Ips9dBa0-dPr9okzG7bIwOWwJTebOj8ZGnlZS6U84MNNwsuQYqiRe3oCmHMj03NGv8IR74JZgW0H73xoBJswJkXLBVKD1K3fp3AaMUb7MCJ0nlJpaf947-9uJh1g77kFv8yEUm8uutPV2S2nkppnc7fxd%7EwHPKKqUrVNkWevLlTqhUve7aK34fEaxtBspX0ilTtoHxV2OK-UZmBrgzAy6-98WO-oQDrATjJYvTAqv5w__&Key-Pair-Id=K6UGZS9ZTDSZM 58f356236a8a6f9194f704a1b1f84db8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 810 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts/Humanities/Social Sciences Description An account of the resource The broad collection of "Arts/Humanities/Social Sciences" highlights those women who dared in the areas of the arts (visual and performing), the humanities (philosophy, law, history, literature, religion, languages, communication), and the social sciences ( anthropology, archaeology, sociology, economics, psychology, political science). It also includes female intellectuals who were excluded from formal methods of education, but who advanced our collective knowledge of the aforementioned fields. Each of the fields represented started off as a male-dominated field. Although women have integrated all of these areas, they are still not representative in many such as religion, political science, law, economics, psychology, archaeology, history, and so on. This collection hopes to expand the readers' knowledge of women in these subjects and encourage their further study by women. Person An individual, biographical data, birth and death, etc. Birth Date 1804 Birthplace Paris, France Death Date 1876 Occupation Writer Biographical Text Born Amadine-Aurore-Lucile Dupin, she later changed her name to George Sand so she could have her newspaper articles and novels published. After she retired, she wrote a 20-volume bibliography expressing sexual freedom, equal rights for women, and urging an end to arranged marriages. A famous quote from George suggests her liberal views of romantic relationships, which caused some scandal in her own time, “Don't walk in front of me, I may not follow. Don't walk behind me, I may not lead. There is only one happiness in life, to love and be loved.” Bibliography For a good collection of Sand's works, see Gutenberg Project: <a href="http://www.gutenberg.org/browse/authors/s#a851">http://www.gutenberg.org/browse/authors/s#a851</a> Sand's Biography on "About Women's History" includes full bibliography of her work: <a href="http://womenshistory.about.com/od/writers19th/p/george_sand.htm">http://womenshistory.about.com/od/writers19th/p/george_sand.htm</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Sand Subject The topic of the resource Literature Description An account of the resource Born Amadine-Aurore-Lucile Dupin, she was a prolific writer and advocate for women's rights Creator An entity primarily responsible for making the resource Amy French Source A related resource from which the described resource is derived Image: by Nadar (1864) in public domain Chopin female author literature https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/51cb33a0b29e90c2bd49dae2c8072388.jpg?Expires=1782345600&Signature=ZZstWeYN8weRxESeJ%7ErnOpE2QlQEVyXBW0Xtkkf4CAGqvN2fpmLBo71dt12yYOrrZPjaFMnjknyJQI2XuOF4z8abwR5P8QLclMo50MMN25OzHCz9x-6QiFHUQMsfbHznjBJqmydYRAMobwR5TvwQljDsZYPJCfclRkChAVUAhYZfeQ3U%7EbgQKkKLpsfdGQN1bTpYAo11zbiyWPO3rjogHyNB4p1spinaq2pgeaM6nJT0p-m5fxL7o7pwQ4IyXqpFpWfEm8VRBImmvxJVr4hnXtNosvn1zaRjtDu3yfYRrFbD3zl0pj3B8iEbKA0tFmNq3lXncRMrLgcfXf0NrzN3LQ__&Key-Pair-Id=K6UGZS9ZTDSZM 2382e194710a38bb83a8da74ca7281c5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 1 Height 960 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts/Humanities/Social Sciences Description An account of the resource The broad collection of "Arts/Humanities/Social Sciences" highlights those women who dared in the areas of the arts (visual and performing), the humanities (philosophy, law, history, literature, religion, languages, communication), and the social sciences ( anthropology, archaeology, sociology, economics, psychology, political science). It also includes female intellectuals who were excluded from formal methods of education, but who advanced our collective knowledge of the aforementioned fields. Each of the fields represented started off as a male-dominated field. Although women have integrated all of these areas, they are still not representative in many such as religion, political science, law, economics, psychology, archaeology, history, and so on. This collection hopes to expand the readers' knowledge of women in these subjects and encourage their further study by women. Person An individual, biographical data, birth and death, etc. Birth Date July 6, 1907 Birthplace Mexico City, Mexico Death Date July 12, 1954 Occupation Female Mexican artist that challenged modern Mexican art Biographical Text Magdalena Carmen Frieda Kahlo y Calderon (known throughout her life as Frida Kahlo) was raised in a suburb of Mexico City to a mestiza mother and a German father. In 1922, Frida entered the Escuela Nacional Preparatoria (National Preparatory School) in Mexico City; the school served as a preparatory college for university and rated as the best educational institute in Mexico. While there Kahlo encountered a group called the “Cachuchas” (named after the peaked caps the members wore as a badge). In the group, they studied and supported the socialist-nationalist ideas of the Minister of Public Education, Jose Vasconcelos. On September 17, 1925, Kahlo’s life was altered--while on her way home from school she was involved in a bus accident when the vehicle collided with a tram. The accident killed several people and left Kahlo severely injured. A metal handrail had impaled her pelvis. It was unknown if Frida would live, doctors confined her to bed for four months. She persevered and a year later doctors discovered several displaced vertebrae, leading to Kahlo wearing a plaster corset for nine months and multiple surgeries throughout her life. While immobile in bed, Kahlo poured her emotions and boredom into art, which would be her rise toward fame and rebirth.<a href="https://womenwhodared.omeka.net/items/show/23#_ftn1">[1]</a> Living in a patriarchal society, Kahlo broke social norms and the popular Mexican muralist muralists movement with her small and medium-sized paintings. She often drew herself because she was the subject she knew best. In her portraits, Kahlo would cast herself against reflections that represented not only her loneliness but also the female body and female sexuality. In the 1950s, Diego Rivera (a famous Mexican muralist and husband of Kahlo) acknowledged her as “the first woman in the history of art to treat, with absolute and uncompromising honest…impassive cruelty, those general and specific themes which exclusively affected women”. Frida Kahlo’s self-portraits helped her to shape the idea of her own person and discovery of her own identity through her art<a href="https://womenwhodared.omeka.net/items/show/23#_ftn3">[2]</a>. Kahlo also went back to her revolutionary roots by joining the Mexican Communist Party (PCM) in 1927. Through the Communist Party she met Diego Rivera—a celebrated Mexican artist. They married in 1929. They spent the 30s traveling the States and Mexico. Kahlo suffered multiple miscarriages and grew very depressed. In 1933, she went back home to Mexico. She wanted to be submerged in her art, but health issues faltered her success. Her relationship with Rivera was troubled as well due to Rivera’s repeated affairs with other women. Rivera and Kahlo went through periods of separation but joined together to petition the Mexican government to grant asylum to Leon Trotsky (who had been expelled from Norway because of the pressure from Russia). In 1937, Trotsky and his wife, Natalia, received asylum and stayed at Kahlo’s Casa de Azul. Frida’s artistic ability soon rocked to stardom as she traveled to New York and Paris for her own art exhibits in 1938-1939. During that period she divorced Rivera. In 1940, Rivera and Kahlo remarried though in Mexico. Frida Kahlo harnessed her pain—both emotional and physical—to make provocative art that recast stereotypes of women. She was a financially and emotionally independent woman at time where marriage and male headship were prized. She owned her political spirit when women were told to be apolitical beings. <a href="https://womenwhodared.omeka.net/items/show/23#_ftnref1">[1]</a> Andrea Kettenmann, Frida Kahlo (1907-1954): Pain and Passion (Los Angeles, C.A.: Taschen,1992),7-20. <a href="https://womenwhodared.omeka.net/items/show/23#_ftnref3">[2]</a> Elizabeth Garber,” Art Critics on Frida Kahlo: A Comparison of Feminist and Non-Feminist Voices”, Art Education 45 (1992): 42. Bibliography Deffebach, Nancy. Maria Izquierdo & Frida Kahlo: Challenging Visions in Modern Mexican Art. Austin, TX: University of Texas Press, 2015. Garber, Elizabeth. “Art Critics on Frida Kahlo: A comparison of Feminist and Non-Feminist Voices.” Art Education 45, no. 2 (1992): 42-49. Grimberg, Salomon. Frida Kahlo: The Still Lifes. New York, NY: Merrell Publishers Limited, 2008. Kettenmann, Andrea. Frida Kahlo (1907-1954): Pain and Passion. Los Angeles, CA: Taschen, 1992. Mirkin, Dina Comisarenco. “To Paint the Unspeakable: Mexican Female Artist’ Iconography of the 1930s and Early 1940s.” Woman’s Art Journal 29, no. 1 (2008): 21-32. Prignitz-Poda, Helga. Frida Kahlo and Diego Rivera from the Jacques and Natasha Gelman Collection & 20th Century Mexican Art from the Stanley and Pearl Goodman Collection. New York, NY: Skira Rizzoli Publications Inc, 2015. Rosenthal, Mark. Diego Rivera & Frida Kahlo in Detroit. Detroit, MI: Detroit Institute of Art, 2015. Udall, Sharyn R. “Frida Kahlo’s Mexican Body: History, Identity, and Artistic Aspiration.” Woman’s Art Journal 24, no. 2 (2003-2004): 10-18. Primary Sources Complete Works of Frida Kahlo:<a href="http://www.frida-kahlo-foundation.org/the-complete-works.html"> http://www.frida-kahlo-foundation.org/the-complete-works.html</a> Frida Kahlo and Contemporary Thoughts: <a href="http://www.fridakahlo.it/">http://www.fridakahlo.it/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frida Kahlo Subject The topic of the resource Art Description An account of the resource Important artist of the mid-20th century Creator An entity primarily responsible for making the resource Jessica Fehrman Source A related resource from which the described resource is derived Image: Guillermo Kahlo through Wiki Commons art diego rivera https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/cb9bbe802c83de0f351bb4af59cc00bd.jpg?Expires=1782345600&Signature=C9JD8CCEqXZsyH3fpMcTEH4r4kZBGdzmZIgOoItQjVNo-MgBDZgN5hUhQcuTN6aQgoLs4qruk3RiN8dtxX%7EHwQFHf80DG2PFz-cpY9ctMqEXeaceCnuYOMKprC09ku-0IF35laHGPCbGq0C6JsTU6SJwo3MVcQcxMCnnKFzyZ%7EUcwh7qWxOa1VviqVknN6xedJI6KhnbSQB469sxjrS9fIsJKdDnJLMn5wb18Kc6-Kvq9KgYHscHrD7HU%7E4MdxVoROpX4t5maS17DEAKPsS4fvCno2OOLxivrmua4WDWdJz%7EJTm0RRFF4PQGKX8Eq1QKiGXVyCohng5xfl0tJ-yyaw__&Key-Pair-Id=K6UGZS9ZTDSZM 8d706b8f7c81eb75cd39ded1dc81ec19 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 1 Height 835 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts/Humanities/Social Sciences Description An account of the resource The broad collection of "Arts/Humanities/Social Sciences" highlights those women who dared in the areas of the arts (visual and performing), the humanities (philosophy, law, history, literature, religion, languages, communication), and the social sciences ( anthropology, archaeology, sociology, economics, psychology, political science). It also includes female intellectuals who were excluded from formal methods of education, but who advanced our collective knowledge of the aforementioned fields. Each of the fields represented started off as a male-dominated field. Although women have integrated all of these areas, they are still not representative in many such as religion, political science, law, economics, psychology, archaeology, history, and so on. This collection hopes to expand the readers' knowledge of women in these subjects and encourage their further study by women. Person An individual, biographical data, birth and death, etc. Birth Date 1869 Birthplace Kovno, Russian Empire Death Date 1940 Occupation Writer and lecturer Biographical Text Goldman was well-known for being an atheist, anarchist, and supporter of women’s rights. An advocate for the working class, Goldman spoke on issues of free speech, homosexuality, free love, marriage, and gender politics. Although she separated herself from the mainstream suffrage movement, Goldman fought for women’s emancipation, including access to birth control. Bibliography Emma Goldman: A Documentary History Of The American Years, Volume 1 – Made for America, 1890–1901. Berkeley: University of California Press, 2003. Emma Goldman: A Documentary History Of The American Years, Volume 2 – Making Speech Free, 1902–1909. Berkeley: University of California Press, 2004. Emma Goldman: A Documentary History of the American Years, Volume 3 – Light and Shadows, 1910–1916. Stanford: Stanford University Press, 2012. Goldman authored many works. Following are some digital archives that hold her work. Emma Goldman Papers: <a href="http://sunsite.berkeley.edu/Goldman/">http://sunsite.berkeley.edu/Goldman/</a> Jewish Women's Archive: <a href="http://jwa.org/womenofvalor/goldman">http://jwa.org/womenofvalor/goldman</a> Gutenberg Press: <a href="http://www.gutenberg.org/browse/authors/g#a840">http://www.gutenberg.org/browse/authors/g#a840</a> The Anarchist Library: <a href="http://theanarchistlibrary.org/authors/emma-goldman">http://theanarchistlibrary.org/authors/emma-goldman</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emma Goldman Subject The topic of the resource Women's Rights, Anarchy Description An account of the resource Noted anarchist who fought for the rights of laborers and women Creator An entity primarily responsible for making the resource Amy French Source A related resource from which the described resource is derived Image Source: Wiki Commons arnarchy labor women's rights https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/ee4b1d2504721b216e81e243ae6a8418.jpg?Expires=1782345600&Signature=esUCxOB4XVmQhyfcdGuzlm5WD2ryn9LurCUwh7iw93t2pm2jvAyDxyD%7E%7EDaVhUNqu0F7PHK7eVd9Ypmt%7E-2UeKi5HVAGlMwmTawdXraOD4Fq9l4WvQ4D%7EwaT4hOV5Bl-k3%7EPIZP4KAWz4G2Lzu0XQ4OW8WVD4AJLM2mT43chqEu8zoPXtmjZvX1L9Sr3bA9u8mHL4PClgkj6eTQAMwOrJL%7E-M9R0PYhrMyNVbAL4dZ-dRZestJdErRf-Y%7EzxFCRzyqGMiAoovXiYtyPFLGIdq4%7EdkLJJ5RnhGfxpwPLuiBbguXfcV8sF2OBZdh3sfz2LSKUn8DinxPF1pEq77FzGcw__&Key-Pair-Id=K6UGZS9ZTDSZM a03968ab6dd05939fae88fa40567409c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 878 Width 636 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts/Humanities/Social Sciences Description An account of the resource The broad collection of "Arts/Humanities/Social Sciences" highlights those women who dared in the areas of the arts (visual and performing), the humanities (philosophy, law, history, literature, religion, languages, communication), and the social sciences ( anthropology, archaeology, sociology, economics, psychology, political science). It also includes female intellectuals who were excluded from formal methods of education, but who advanced our collective knowledge of the aforementioned fields. Each of the fields represented started off as a male-dominated field. Although women have integrated all of these areas, they are still not representative in many such as religion, political science, law, economics, psychology, archaeology, history, and so on. This collection hopes to expand the readers' knowledge of women in these subjects and encourage their further study by women. Person An individual, biographical data, birth and death, etc. Birth Date 1954 Birthplace Glen Ridge, New Jersey Occupation Photographer and Film Director Biographical Text Sherman is an American photographer who began studying photography while at the University College of Buffalo in New York. Sherman has played with revered images in order to challenge popular culture and the power of mass media. She challenges assumptions about the role of women in society and her work raises important questions. Some of her most famous works include photographs of herself as characters from “B” movies as well as photographs of herself imitating paintings from the Old Masters, including works of Caravaggio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cindy Sherman Subject The topic of the resource Photography Description An account of the resource Photographer whose work questions gender norms and cultural assumptions Creator An entity primarily responsible for making the resource Amy French Source A related resource from which the described resource is derived Image Source: http://gawker.com/550940/cindy-sherman artist film photography https://d1y502jg6fpugt.cloudfront.net/12374/archive/files/715da2c6f0c38639be87091ec412b3d6.jpg?Expires=1782345600&Signature=mQegxhEmWdWw23Eed7U8gupIwC8%7EEYTfdiCCCCRES9DvrIwRJT19%7EfkQ5ZZ0pLWsk4b3TJbj0win4mJQrgpBUjJpVlUxCKiQePXcx2QwWJ5ePGZvlFJU1QouAHgw8HuBAraHGn-PbuJhnga1vikl1Eryo0qLSkfbvCK0E-757GZWoscSjk6LbesoRy%7EHFVyJQALkRlpB5HDM18VvBB-feQ8bsm676Fn33GbPEy6uFqDKwoG5qXkW%7EzeYWo6Bbvb8GuMlRB4eKDEyc5v2NLug3ikUWkBj84JFAFCPDc78apsaMY6n3cq9g1wf1OzQLrxnQq8qIB-JlcUWD9rCFNtwoQ__&Key-Pair-Id=K6UGZS9ZTDSZM 0b62c1164fbb9df251070cfddbc9869a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 431 Width 330 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts/Humanities/Social Sciences Description An account of the resource The broad collection of "Arts/Humanities/Social Sciences" highlights those women who dared in the areas of the arts (visual and performing), the humanities (philosophy, law, history, literature, religion, languages, communication), and the social sciences ( anthropology, archaeology, sociology, economics, psychology, political science). It also includes female intellectuals who were excluded from formal methods of education, but who advanced our collective knowledge of the aforementioned fields. Each of the fields represented started off as a male-dominated field. Although women have integrated all of these areas, they are still not representative in many such as religion, political science, law, economics, psychology, archaeology, history, and so on. This collection hopes to expand the readers' knowledge of women in these subjects and encourage their further study by women. Person An individual, biographical data, birth and death, etc. Birth Date 1591 Birthplace England Death Date 1643 Biographical Text Born Anne Marbury, Hutchinson was a pioneer and preacher who called for equality and rights for women. Her strong religious convictions were at odds with the established Puritan clergy in Massachusetts. She dared to step out of the cultural confines of the time by holding prayer sessions in her home and following a version of Protestantism that would allow believers more power to have direct access to their god through prayer. Anne was tried in 1638 by the General Court of Massachusetts for, as she was told, “step[ping] out of your place…[being a husband rather than wife, a preacher than a hearer, a magistrate than a subject.” She was eventually banished from the colony. Bibliography Hall, Timothy. Anne Hutchinson: Puritan Prophet. (Pearson Publications, 2009). Ulrich, Laurel Thatcher. Good Wives: Image and Reality in the Lives of Women in Northern New England, 1650-1750. (Vintage Press, 1991). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anne Hutchinson Subject The topic of the resource Religion Description An account of the resource In colonial US, she dared to believe that women could take an active role in religion Creator An entity primarily responsible for making the resource Amy French Source A related resource from which the described resource is derived Image: http://en.wikipedia.org/wiki/File:Anne_Hutchinson_on_Trial.jpg colonial Massachusetts Puritan society religion